The couplet literally asks: Where is the noise of Shevan now that Mir has departed? It concludes that this commotion is confined only to this house of mourning.

This couplet is a profound observation on the nature of drama and chaos. Mir Taqi Mir suggests that the commotion or uproar (hamaagaama) we witness is not boundless; it is confined to a specific, limited space or scenario (nauhaagar). He implies that even the most intense drama, when given a boundary, remains contained. It is a powerful reminder that reality, even in its most dramatic moments, has its limits.